Dog portrait slightly undercooked

You might be asking yourself what has cooking got to do with art?

Paintings can so easily have a little too much time on them becoming overworked and a little laboured. I thought a good analogy might be the outcome of cooking a Victoria Sponge cake .

If you slightly over cook  one of these cakes it smells slightly over-cooked when it comes out of the  oven, it is slightly over-coloured with a bit of a crisp edge on the outside  edges and it loses some of its subtle cakey fragrance to a more caramelised finish (to be polite). But if you slightly undercook it,  it will be moist and tasty, has a full buttery flavour,  and on the downside it might lack a little colour.  Which is best?  Definitely the latter for the tastiest cake.

Catching the cake at it’s optimum moment is possible with practice but there is little variation from one cake to the next so eventually a plan for timing and temperature will make it perfect.  Obviously this is very different to the variations that are possible from one painting to the next.  But the idea of relating over-cooking and under-cooking a sponge cake to painting is purely for the reason that stopping a  bit before the optimum moment will allow a painting to look more vibrant, spontaneous, and more intuitive rather than laboured and probably a bit muddied.   It might not be perfect but it is likely to be a better finish.  Just like the cake.

Trying to under-worA  painting of a dog portrait by artist Diane Youngk  a painting is soooooo hard by comparison to overworking. Over-cooking or overworking it is easy.  It is easy for me to see bits of my paintings that might be improved and therefore I could keep picking at it. So today I am trying very hard to  not do any more to this painting of a Springer Spaniel.

What could be done to try to prevent getting to the over-painting stage? I wonder if in the back of my mind I think people who look at this picture might find fault for me not “tidying ” everything up,  and somehow I have to let go of this idea at an opportune moment.  Perhaps the questions I should be asking myself are:  How happy am I about the painting?  Can I get away with finishing it at this moment?

I am tempted to keep going on this painting, but I think I might get away with stopping right now. So hands off,  let’s clean the brushes and here is Fred smiling.

 

Pet Portrait Photo Difficulties.

My portfolio of dog portraits is slowly but surely expanding.

I have taken on a couple of portfolio exercises to get a proper feel for the difficulty rating. They are:

a) a photo which does not have all the pictorial information because the resolution is too low and

b) a photo which is in itself not a great composition but it is the only photo we can get. These are situations a pet portrait artist may find themselves in and with these problems in mind they will then have to decide whether a successful pet portrait will be the outcome.

a) This is Amber.  Most of the photo could be enhanced using the contrast tool to get more information for reference. This worked for all but the eyes.  This was the most challenging and time consuming of my two examples.  I had to make up the eyeDog photo showing Gooner for Pet Portrait Painting by Diane YOung reference material, or cross reference it elsewhere.  This meant it became time consuming and a fiddle mucking about with the “lost” information.  The eyes are the most important focal point (apart from the muzzle also in a dog) and not succeeding in making them look “right” or more to the point “convincing” would spell disaster for the whole painting.  One other point about this photo is the position of the tail gives a very long slim shape to the overall composition and so it was much better to take the important head area instead where there are alot of dynamic shapes to keep the picture interesting.

b) This is Gooner, obviously an older dog, which you can tell by the expression and posture.  The overall shape is not very dynamic and more of an overall circular outline, not the best shape to use for a picture composition.  This painting is taking  much less time on accounDawn Mcniff Gooner 2t I hav all the necessary information in front of me.  I took the liberty of using artistic licence to move the eye gaze so that the image was more engaging. Everything is in place and the painting is almost finished.

Below are the results of my endeavours:

Amber is completed

Gooner to the right is still work in progress.

Pet Dog Portrait Animal Painting by artist Diane Young         dog portrait by artist diane young

There are times when another factor comes into play and that is when the pet owner has produced the only photo they have of their dog and it is just like the Amber example above.  Perhaps this might persuade you as a pet portrait artist to take on the commission.  Of course all these things can be discussed at the outset with the pet owner giving you the commission perhaps with deposit for work up front and other caveats would help mitigate any disaster!

My conclusion is that not having all the information is extremely time consuming and the outcome is not certain. It is up to the Pet Portrait Artist to determine the risk!

Time, Planning and Discipline for Artists

Or not.

Don’t for one minute let the title of this post lead you to believe that I might give any advice currently on that subject matter!

A new pet portrait emerges from my studio but a distinct lack of ability to prioritise is ensuing along other commitments getting in the way, and a little procrastination to boot.  No advice can come of such disorder.  If anyone has any tips please let me know and help rescue the situation!

Meanwhile here is the most recent completed dog portrait painting.

Portrait Painting of a Bernese Mountain Dog called Lila

 

Lila. A Bernese Mountain Dog.

Painting Stories: Freddie and Digger

So, what is going on in the picture?

Digger the dog and Freddie the Goldfish a painting by artist Diane YoungIf an image captures your imagination you may find your own internal dialogue emerging as to what is taking place in the picture. I make ACEOs with my own narrative  in  mind and often show them to my family and find that they in turn arrive at their own (sometimes surprising ) conclusion as to what they think is going on with the characters in my ACEOs.  

I love to start the story and hope there may be a variety of possibilities for a story to be told.  

Decide yourself what is happening here between Digger and Freddie, and then see below for what I had in mind. My description for this aceo goes something like this : “Digger could not be sure but he thought that Freddie was trying to tell him something…..”

My narrative could have been…. “Looking at Freddie Digger was not sure if Freddie  actually liked him.” but I decided that it would be “Freddie kept glancing at the Fish Food and looking at Digger hoping Digger might take the hint and gives him a little snack!”

Go on surprise me with your story line…..

Painting Stories – Harvey the Aardvark

Harvey Loves Rainbows

There was something special that Harvey was looking for.  Mouse was hoping that Harvey would find it very soon.

“We need the rain to find one of my favourite things” said Harvey  “There is no other weather that makes something so beautiful.”

At last there it was….

Harvey and the Rainbow ACEO Painting by artist Diane Young

 

 

 

 

 

 

 

Harvey has been out and about on his antics with Mouse, Digger and other animal characters .  He still has so many things to see and do.

Until next time…..